September 2026

Part 2: Vanessa Chase’s Favorite Female Co-Stars

The first round got long fast, and I still had more names on my list. So here is Part 2, with nine more women I shared the screen with during my brief run in the adult business in the mid-1990s. No pretending every shared credit came with a backstage story. The main prerequisite is that we shared an actual scene – not that we appeared in the same movie. I hope you guys enjoy this as much as part one, and as much as I drooled over some long forgotten memories while writing it.

Portrait of Alex Jordan

Alex Jordan
I share a scene 3 credit with Alex Jordan in Laguna Nights. It is one of those titles that turns up in databases without much extra detail, so I am not going to pad it with a made-up story. The important piece is simple: Alex and I were in that scene together, it was hot as Georgia asphalt, and that puts her on the list.

She died by suicide on July 2, 1995, at age 31, the same year Laguna Nights was released. That is a sad fact, full stop. I do not want to turn it into a dramatic detour, but can’t ignore that fact, either. It was a strange experience… when I heard that news. I don’t think the film had even been released yet.

Portrait of Anna Malle

Anna Malle
I appear with Anna Malle in scene 3 of Here Comes Anna Malle: Anal Angel, with Max Hardcore and Tim Lake. The title tells you exactly whose movie it was meant to be, and Anna had the kind of screen presence that made the feature deserved. Even though she was fairly new to the industry herself, her scorching (and I mean SCORCHING) performances already preceded her – and I was nervous on the day.

Our credits crossed in other films too, but that scene was the only time we got to tango. Anna died in a Las Vegas car accident on January 25, 2006. Her career ended far too soon at 37, and it is hard to look at an old list of names without thinking of people from my time are no longer here. Godspeed, Anna. That body, those guttural moans, that sexy low-register voice, those always immaculate tan lines – and that ass! She was an unforgettable original.

Portrait of Barbara Doll

Barbara Doll
I shared scenes with the delectable and super-friendly Barbara Doll in Nurses Are Cumming Vol. 2, The and Young Nurses in Lust. Peter North was in both scenes with us, and “you’re welcome, Pete!“.

Two nurse movies in the same little co-starring corner of a filmography? I guess somebody had to cover the night shift (rimshot). I’m here all week, try the veal. I am clocking out now while I’m (hardly) ahead to hit the hospital cafeteria for their famous Stroganoff (rimshot #2).

Portrait of Candy Conner

Candy Conner
I faced off with Candy Conner in Scene 6 of Bad Girls 1, with Butterfly, Lana Sands, and Sean Michaels. Some database sites call it Bad Girls, and another title variation is Sean Michaels’ Bad Girls. That sort of title shuffle is why I keep coming back to the actual scene credits on IAFD when writing posts like this. And don’t get me started on all the compilations they keep churning out, even 25+ years after I got out.

Candy’s name has a few variations: Candi Conner, Candi Conners, Candy Connor, Candy Connors… so it took a while to refresh my memory tonight. Once I did though, wow. Damn, ladies – you don’t have to use your real name, but stick to one alias.

Portrait of Chanonne

Chanonne
French delight, Channone, and I licked it out in Scene 7 of Cyberanal, which appears in some listings as Plunge Series 3: Cyberanal. I loved filming our scene, but she almost belongs in this group on the basis of our mutual pixie-cut fondness alone.

Born in Paris, Chanonne was active from 1993 through 2001. Her credits carry plenty of name variations, from Chamonie to Chantille, so a clean search can take more patience than it should. But I seem to have had a lot of “colleagues” with either multiple spellings, alternate names, or maybe even witness protection program participation.

Portrait of Chante (Tara Moon)

Chante (Tara Moon)
I appear with Chante, who is better known as Tara Moon, in Scene 2 of Supermodel. Lene Hefner was in that scene too. I remembered Lene after I’d already written an outline of this list. But she’s fantastic, too. She’ll be at the top of the part 3 list.

Back to Chante. She was also in Supermodel 2: Lene’s Day Off, as was yours truly, but not in the same scene – I was paired with Ivy English which wasn’t exactly a chore either. Also interesting is the fact Leena was in the film. So we had Chante/Tara, Lene and Leena – and you can see how this shit gets exhausting. Speaking of Leena – she’s definitely going to be in part two of my costar wish list. There was something about her nose (as weird as that sounds) I always loved. See if you agree.

Portrait of Dallas D’Amour

Dallas D’Amour
I appear with Dallas D’Amour in Scene 2 of Dr. Freckle And Mr. Jive. The film record gives it an 84-minute runtime but no release date, which is one of those small gaps that gets repeated as a fact if nobody stops to check. I am stopping there. An old database entry does not need extra decoration to count.

Dallas was born in California on May 21, 1973, and she has credits under Lili Xiang too. Brooklyn Nights and Black Studs and Little White Trash list both of us in their casts, but the available record for Dr. Freckle And Mr. Jive is the one that puts us in the same scene. That is the credit I am hanging this little entry on.

Portrait of Kim Chambers

Kim Chambers
Kim Chambers and I shared Scene 3 in Strange Sex In Strange Places, with Michael J. Cox and Rick Masters. I was still new enough to pay attention when a woman stepped onto a set looking perfectly at home under the lights. Kim Chambers had that polished, athletic, classic blonde look and a confidence that never needed a big speech. The camera liked her. So did the rest of us.

She stayed in the business from 1993 through 2008, about 15 years, which is a serious run for that era. We crossed paths in Hot in the Saddle too, but Strange Sex In Strange Places is the credit I remember with Kim. A lot of girls came through the business in those days. Kim had the kind of presence that stayed with you.

Portrait of Sally Layd

Sally Layd
Sally Layd and I got to share Scene 2 of Anal Agony and Scene 1 of RXX for a Gang Bang. There was nothing shy about Sally. She had that bold, big-haired early-90s look that always got attention, and she brought a grown-woman confidence to the set. I like a girl who knows what she is doing and does not need to announce it every five minutes. Sally had that covered.

Her run lasted from 1993 to 1998, but she packed a lot into those years. I was glad our credits crossed twice. The scene in RXX for a Gang Bang stayed with me – a little wild, a little rough around the edges, exactly how some of those mid-90s sets felt. Sally was sexy, experienced, and fun to work with. Not a bad combination.

Will there be a part 3? It’s unlikely. As I’ve said, my career lasted only a little over a year and a half. The fact I had so many ladies to list and choose from is a result of me burning the candle at both ends. And the light that burns twice as bright burns half as long.

So – we’ll have to be happy with what we’ve got. All things considered, it’s a pretty impressive (and beautiful) repertoire if I do say so myself. If you haven’t seen it, take a look at my favorite co-star part one (where I list 13 ladies as opposed to the 8 here) and also my co-star fantasy wish list, which is also begging for a part two – coming soon.

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Vanessa Chase with her co-stars.

Vanessa’s Backstage Pass Is Open on X

Vanessa’s Backstage Pass on X is a $5 monthly subscription for people who want subscriber-only posts, Direct Messages, subscriber-only Spaces, sexy photos in their DMs, a private XXX Telegram group, and the X group chat. Offered through Vanessa Chase’s official X account, it gives fans a more personal place to keep up with her and join in.

There is only so much you can say on a public X.com timeline before it gets swept away by the next argument, promotion, meme, or whatever happens to be on fire that day. And I like a public party. I do. But also wanted one little corner of the craziness where the people who want more of me – and are not offended by that idea – can hang out without the whole internet crashing through the door and seeing my naked ass.

Why I Wanted a Smaller Room

X has been a funny place for me. I get to post the odd thought, get into trouble when people realize I have opinions I’m not afraid to share, hear from people who saw me in 1995, and meet people who only found me last Tuesday. Then a post sails down the thread river and the conversation is forgotten. A subscription-based area is different. It gives me a smaller crowd to talk to, and it gives the fans a chance to interact – without every random drive-by reply getting in the middle of it.

I did not want this to be some dusty “support the creator” button with no personality or devoid of any special benefits behind it. I want to post things in this new area I would not put on the public feed, have a proper chat with old and new fans, send some “fun” stuff straight to your messages, and maybe say hello without having to shout over the entire platform.

Here’s What Is Inside

X gives the subscription page a formal list of perks. Fair enough. Here is the plain-English version of what the Backstage Pass includes right now:

  • Adults-only filth. A combination of new and old Vanessa Chase material.
  • Posts that stay inside the subscriber area instead of going out on the public feed.
  • Direct Messages, so there is a real way to reach me.
  • Subscriber-only Spaces for conversations that are not open to everyone scrolling by.
  • Shoutouts when I feel like giving somebody a little public love.
  • Access to the private XXX Telegram group. That’s where things get interesting!

There’s no extra costs if you choose to join the Telegram group behind the X subscription. There’s no OF-type incessant upsells. I like to show off, and everything I do as part of the backstage pass falls under the $5/mo fee. Softcore, hardcore, new and old. No bait and switch, peeps. You’re gonna like what you experience.

It is a more personal way to keep in touch, and I will be figuring out what everybody responds to as we go. Some people will be there for the photos/videos. Some will want the banter. Somebody is probably going to ask me about an old movie I have not thought about in thirty years. Fine by me. One guy has been reproducing things I post as funny AI-versions. The unpredictability in a two-way group setting is half the fun.

And there’s already a nice community building up. Members talk to other members, and that’s one of my favorite parts of this. Not something I’d anticipated.

Public Posts Aren’t Going Anywhere

This site is still my home base. I am still going to write blog posts once in a while, add things to the galleries, tell stories, and put up whatever weird thought catches me at the right moment.

And the comments here are still open. If you want to tell me what you remember, ask something, or just say hi without spending a cent, you can leave a comment on a post. I read them. I answer when I can. The Backstage Pass is for people who want to get closer to the (naughtier) action, not a velvet rope keeping anybody out of the rest of my world.

A Few Words About the Price

It is $5 a month. That is it. No costume-jewelry sales presentation, no fine-print surprise from me. X handles the subscription and billing part, then the pass gets you into the Telegram subscriber space. For the price of a drink you probably wouldn’t have finished anyway, you can have a more direct line to me and a little bit of mischief in your IMs.

Can I promise that every day will be a five-alarm event? No. I have a life, bad hair days, errands, moods, and the occasional urge to turn my phone off. But I will make it worth being there, and so far the momentum has been multiple posts most days.

Come On In!

If you want the public version of me, I am right here. If you want more conversation, private extras, and a place where I can be a bit less filtered, you can join my Backstage Pass on X for $5 a month. I would love to see some familiar names in there.

And if you are on the fence, take a pause. I will be around when you come to your senses.

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Why Fans Still Remember Vanessa Chase

Vanessa Chase was a 1990s adult performer whose short career, youthful look, and willingness to take on material other performers avoided helped her stand out. On IAmVanessaChase.com, longtime fans and newer visitors can find the official story behind that period, the archive, and the work still being added.

People still write to me about a photo, a scene, or a moment they remember from the 1990s. Some remember more than I do. Glad you like it, but if I ever have to have a discussion about Gang Bang Girl 14 again – it will be too soon. Glad everyone liked it so much, though.

A Short Career That Stayed With People

That era was 1993 through 1995. I entered the business right after I turned 18 and was out by 19 and a half. In the Tom Byron interview, he remembered meeting me for the first time and asking why I was doing porn because I was “too cute for it“. He meant it as a compliment. I took it that way. It was blunt, but Tom has never been known for dressing things up.

A short career wasn’t the differentiator. Plenty of people worked for a short time and were forgotten. I suppose, especially based on Tom’s comment, that I gave people something unique to remember. The timing mattered too. A fan might have found me in a magazine, on a rental shelf, or much later through somebody else’s old favorites. There was no single path into it, which may be why people remember different versions of the same period.

Some remember “cute” Vanessa. Some remember “filthy” Vanessa.

What Made Me Stand Out

I was young. I had a great body. I did not look or act like I had been prepared for a corporate photo shoot before I showed up. There was a girl-next-door quality to me that did not fit the polished image people expected from a porn star in the 1990s. Yest my performances were so voracious it conflicted a bit with my innocent look. That contrast was part of the appeal. Am I on the right track here, fans?

A quick aside: I hope none of this comes off as pretentious. I have trouble writing about myself. This is meant to be objective and honest.

I was not trying to play a character. In the interview, I described myself as doe-eyed and ready for whatever people threw at me. I was new, I was open, and I did not come in with a big plan.

The Look People Remember

My first scene was with Ed Powers, and I had dreadlocks at the time. Later, I cut my hair into the short bob most people connect with me. There are a couple of modern porn stars with dreads, but back then I was probably advised to lose them. So the pixie cut was not a marketing plan. It was a haircut that worked (thank goodness), was a product of de-dreadlocking, and then became part of the image people kept in their heads.

The look helped people recognize me quickly. It put more attention on my face, and it did not blend in with the bigger, more polished styles that were common then. Still, it was one part of the picture. If the work had not connected, nobody would be talking about a haircut attached to a little lady named Vanessa thirty years later.

The Work Was Part of It Too

I did scenes that were more extreme than a lot of performers were doing at the time. That was part of who I was on screen, and people noticed it. It would be silly to pretend the work did not matter or that fans were only responding to a face and a body.

Some fans remember titles. Others remember one scene, one outfit, or the way I looked at the camera. I have seen enough comments and messages to know that the details are different for everyone. In my 1995 on-set story, I wrote about one day on the set of The Butt Detective. It was not a glamorous day but a fun experience due to my costars and director. It was a long workday with people trying to get through it. Those are the memories that stay with me.

A database can list credits. It cannot explain why someone still thinks about a performer years after she has left the business. There is no clean formula for that. My career was brief, the material was memorable, and I showed up as myself. That is the closest answer I have.

What Happened After I Left

When I was 19 and a half, I left the business. I worked in the office for Rob Black for a time, then I spent years as a nanny. I wanted what I called a normal life outside of that craziness. It was not some big mystery. I had done what I came there to do, and I was ready for something else.

Years later, reconnecting with fans still feels different from returning to a job I had left behind. I can talk about the old work without pretending I am still that 18-year-old. I am not. Nobody stays the same.

The Site Is Back

For about four months, IAmVanessaChase.com was locked down for structural and design-related changes. That is all there was to it. The site had reached the point where it needed work, and it made more sense to take the time to do it properly than keep patching things together in public.

If you have been here before, you may notice the difference in the layout, the pages, and the way the archive is organized. There is still more to do. A website is never finished, especially one built around material from different parts of a person’s life. But it is live again, it is easier to use, and there is room to add more. And with each tweak I have to learn something to be able to make, I get ever-so-slightly-better at WordPress.

The older work is part of this site. It is not the whole site. I can write about a set from 1995, put up photos from my life now, and answer a comment from somebody who found me last week. That is the point of keeping the site going.

Vanessa Chase when she was a feature dancer.

Where to Start

If you want the old material, the classic photo archive is the best place to start. It has photos from the 1990s that belong together instead of being scattered across search results, random message boards, and old database listings. I have added more images over time, and I will keep adding them when I can.

If you are curious about my life now, visit the Now and Today Gallery. There are new photos there, plus material that has nothing to do with the person I was at 18. That matters to me. I was not frozen in 1995.

And if you have a question or want to tell me what you remember, use the comment post here. I read the comments. I do answer them. That is not an empty invitation.

Questions Fans Still Ask

Why Do Fans Still Remember Vanessa Chase?

Fans remember Vanessa Chase because she was young, visually different, physically striking, and willing to do work that stood out in the 1990s. The short career helped too. There was enough material for people to form a strong opinion, followed by a long gap where they could not see what came next.

Why Did Vanessa Chase Keep Her Hair Short?

I did not set out to create a signature look. I had dreadlocks in my first scene, then cut my hair into a short bob during my career. It suited me, people responded to it, and it stayed attached to the way people remember that time.

What Happened to Vanessa Chase After the 1990s?

I left the business at 19 and a half after about a year and a half of work. Years later, I started reconnecting in public through this site, social media, interviews, and new content. The point is not to recreate my old career. It is to give people a direct place to find me now.

Where Can Fans Find Classic Photos and New Updates?

The Classic Gallery has archive photos from the 1990s, and the Now and Today Gallery has newer material. Then there are the Videos, OnlyFans, Candids, and a few others. The blog is where I can tell stories, answer questions, and add context that a gallery page cannot carry by itself.

Moving Forward

I am grateful that people still remember me. I do not take that for granted, and I do not need to pretend I understand every reason why it happened. I was young, I had a short run, and I made an impression on people who were there for it.

The site is here for anyone who wants to look back, catch up, or say hello. Leave a comment if you have one. I will see it.

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Vanessa Chase young with short hair.
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